NodePunks combine the pixel goodness of NodeMonkes and CryptoPunks. Small batch pixel art for the discerning collector. No roadmap. No metaverse. Just pixels.

NodePunks

**Block TinyDino** generates different monochrome TinyDinos based on the **Block number** of the Shape blockchain. 

Each digit or group of digits controls various visual attributes like transparency, grayscale, and conditional rendering of elements like "caps," "spikes," "noggles," and "laser." . The code is designed for visual experimentation, where the change of the block number will affect the appearance of the layers and patterns drawn on the canvas.

Block TinyDino

The SHILLR S3 Core Pass is your key to collecting the art you want in S3

S3 Core Pass

A collection of cubist circles with original art by Gabe Weis and generative code by yungwknd

Cubist Circles

booth's collection is coming soon in shape l2.

-1 mint pass: common

-3 mint pass: rare

-10 mint pass: epic

Booth Mint Pass

Holy Grail

COPE SALADA

**Block APE** is a generative, infinite artwork that reimagines the iconic Hoodie CryptoPunk Ape through blockchain technology. 

The artwork continuously evolves, with the size of its geometric shapes dynamically generated using the digits of the current block height from the **Shape L2** network. Each new block brings a fresh transformation, creating an ever-changing visual experience that blends the randomness of blockchain with the aesthetics of generative art. 

Block APE captures the intersection of digital culture, technology, and creativity, offering a unique and evolving piece that is forever tied to the blockchain.

Block APE

RGB Friends is an infinite, generative PFP collection that builds upon the Internet Friends (CC0) System, a permissionless brand on the Base blockchain.

RGB Friends

⚫️⚫️⚫️

12/31 PROMPT: “REMOTE” 
31 Days, 31 Prompts, 31 Artists + (CPUBLOOD x 31 artworks)

Digital Mixed Media

R3M0T3 (GLITCHTOBER 12/31)

Shapepeeee

SHAPEPEING

Repetition and Noise is about the nature and path of creativity.

It is a shortlisted work in the Finnish National Gallery's Combine24 generative art competition remixing their cc0 collection/archive.

Details/Vote: [https://combine24.alusta.art/](https://combine24.alusta.art/)

Let’s start with a quote:

“All art is infested by other art.”
— Leo Steinberg in Art About Art

Infested sounds like a dirty word but let’s try again. Let’s think about it as adding depth, history or context.

This collection is about art as a conversation and how it may repeat itself—consciously or not—adding noise to extend, contest or mutate expression as the dialogue continues.

We repeat to pay homage. We repeat to better understand. We repeat because we don’t understand at all. We repeat to make something true. We repeat to show absurdity. We repeat because it resonates. We repeat to mock. We repeat because it is our nature. We repeat because we can only express what we are filled with.

We add noise to shape. We add noise to make it our own. We add noise to reframe. We add noise for perspective. We add noise to distort. We add noise to manipulate. We add noise to help read between the lines. We add noise to excavate the truth. We add noise because unfiltered it is too much to take. We add noise because the noise is us; our context and experience which is impossible to detach from.

Noise is way to say our consciousness or how we filter. We have our own as individuals and groups. Any idea that flows through us is affected by what we know or have experienced. We may add noise as we ingest to fill in the blanks… or as we attempt to express because our articulation or abilities may be incomplete, subconscious, messy, intentionally ironic, perhaps even misleading.

Are we sculpting this noise or is it assigned?

To repeat another way, is this noise subject to free will or is it deterministic?

If the universe is deterministic, as some believe, then so must be this noise. This can be extended to say that all art is deterministic (i.e., inevitable). If that is true, then even how we feel about that is based on how our version of noise was formed (and is deterministic).

Repetition and Noise meditates on this in a literal way by pseudo-randomly picking 3 pieces from the Finnish National Gallery’s CC0 (Public Domain) collection and recontextualizing it. While there is not one pixel in the resulting pieces that didn’t come from another work, they are not the same as in those “original” works (and the conversation continues).

The near 30k works in the Finnish National Gallery’s collection was narrowed down to 330 curated pieces for the algorithm to choose from for each output. It uses p5.js, glsl shaders and a bit of math to figure out what to show where, but the tech isn’t really important. Hopefully it just shows how reframing and distorting the works while combining them with others from different sources can create something novel and compelling, encouraging us to take any individual idea or object and consider it in the larger conversation of the universe, rather than just on its own.

Please view on a desktop, as mobile can struggle.

To save the current image, tap the “S” button on your keyboard.

For a high-resolution image, you can add these URL parameters:
&print=true&width=8000

If you’d like a PNG file instead of a JPG, try:
&print=true&width=8000&ext=png

If you specify print=true, the image will automatically download once it is done rendering.

For the key command to work or to have access to the url params you have to open in a new window by pressing the button that looks like a square with an arrow pointing out to the upper right.


Repetition and Noise

It's time to turn your 'D'ohs' into Dough with Bimpson the Base Simpson.

Bimpson the Base Simpson First Edition

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Kevin Esherick

From the artist:

I lost my older brother when I was 20. I don’t talk about it much, but I miss him every day. I’m With You is a series of works imagining what life would look like if he were still here, and depicting how, in some ways, he still is.

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wubbushi

"The Rapture" grapples with one of humanity’s most critical philosophical questions in the modern era: what does it mean to exist when we are no longer the dominant form of intelligence? 

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Roope Rainisto

For StoryGEN1, Roope Rainisto is building an app that takes as its input something as simple as a single sentence, breaks it down into a story, specifies the elements of a short movie (video, audio, dialogue), then automatically generates everything and puts it all together.

StoryGEN1

Alpha Centauri Kid

Star-crossed lovers take shelter in a tale of love and fate by Alpha Centauri Kid. 

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Ed Fornieles

"8 Ball Sages" is a new interactive digital work from contemporary, genre-bending artist Ed Fornieles. With an interdisciplinary approach born out of the shifting mesh of the still nascent digital age, Fornieles’ practice focuses on the way technology and the internet are reshaping our lived experience.

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