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In the Master of Mountains, Delaunay triangulation generates unique geometric forms, blending algorithmic randomness and mathematical beauty in each piece.

the Master of Mountains

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Mammothon

Technology was born three million years ago, when prehuman species in the Olduvai Gorge in modern day Tanzania first started using stone tools. These stones, modest though they may seem, are the first link in the daisy chain reaction which led us to the industrial revolution, nuclear weapons, the internet, and artificial intelligence - a daisy chain which extends far beyond us, beyond an unseeable horizon, and into an invisible future. Technology is inseparable from culture: it is not for nothing that the word 'techne' in Greek, from which the word technology derives, means 'art and craft'. Together, technological and cultural evolution form the double helix of human history - dancing forward together indomitably into eternity. Whether it be a dance of joy or a Danse Macabre, it all begins with the stone.

'Stones' - the second artwork by the Autonomous Culture Research Bureau, examines these artefacts with detachment and objectivity, from the standpoint of a museum at the end of history - the Angel of History at the conclusion of the double helix.

The audiovisual work consists of two bespoke revolving 3D-modelled flint stones, marked 'e/acc' and 'safety', respectively representing techno-utopianism and techno-pessimism. They are the flints that Prometheus steals from the gods to make fire. The techno-pessimist stone is carved with the eternal image of Prometheus chained to a rock, his liver being eaten by an eagle - his punishment for his hubris, and a more foreboding portent of man's future.

The music backing this 'safety' stone features a dark ominous soundtrack echoing from humanity's past as if heard in the distant barren future. Accompanied by a spoken word passage inspired by the deathly allure of the sirens in the Odyssey, as well as the contemporaneous eschatology of Eliezer Yudkowsky, Geoffrey Hinton and others, it augurs man's destruction by artificial intelligence. Whether to believe the warnings from humanity's past is left as an exercise to the reader.

The works are the first by the Autonomous Culture Research Bureau in what will be a series of works examining technology and culture from this perspective - of the museum at the end of history. From the interaction of these first two stones, presented as ERC-1155 projects, and other Modularian artefacts, Phase II of the project will be born.

Stone: Safety

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It's widely believed that the last woolly mammoths went extinct 9,999 years ago. In fact, they've continued to live, unseen, in the background of human history, bearing witness to its horrors, its triumphs, and its folly. They were present at Golgotha. They were there on the grassy knoll. They've watched the toppling of tyrants and the fast-changing fortunes of empires. Quietly, mammoths observe, withholding judgment, wanting nothing other than to fit in.

Mammoths

**"You know — one loves the sunset, when one is so sad..."**

*Antoine de Saint-Exupéry*

The shape of the mountainscape is generated based on the minting wallet's address. Mouse movement controls the zenith of the sun and drives a moiré effect for your enjoyment.

the Master of Mountains

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